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TZID:Europe/Berlin
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UID:6ae817002b1af
LOCATION:Spielbudenplatz 21-22, 20359 Hamburg
SUMMARY;ENCODING=QUOTED-PRINTABLE:NASTY
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Eine Veranstaltung der Reihe NASTY - Europe 2026=0D=0A=0D=0ABelgian-German aggro punk outfit Nasty (stylized as NASTY) bomb-drop=0D=0Atheir new album, Heartbreak Criminals, via Century Media. The=0D=0Aquartet—featuring Nash (drums), Paddy (guitars), Berry (bass), and=0D=0AMatthi (vocals)—follow-up Menace (2020) even more pissed off and=0D=0Awith even more love in their hearts. Tracks like “Resurrection”=0D=0Aand “Don’t Play with Fire” illustrate Nasty’s growth as=0D=0Aartists while continuing to hold the flag of “f*cked-up music for a=0D=0Af*cked-up world” high. Indeed, re-recording old-school, fan-favorite=0D=0Atracks "Declaring War” and “Chaos," both off 2006's Declaring War,=0D=0Aconnects Nasty's brow-beaten dots from the beginning to who the group=0D=0Aare today. Heartbreak Criminals a sonic life lesson of fist-fights=0D=0Alost and battles hard won. Nasty are perseverance.=0D=0A=0D=0AFormed in 2004 in Kelmis, Belgium on the Belgian-German border, Nasty=0D=0Aquickly set off as a band of action, not words. Across seven=0D=0Afull-lengths—starting with the bloody knuckles of Declaring War=0D=0Athrough the creative mosh of Menace—the group’s cudgel of=0D=0Ahardcore, thrash, hip-hop, and other rabblerousing genres has proven=0D=0Ato be a game changer. On the weight of live staples like “Fire on=0D=0Athe People,” “Slaves to the Rich,” and “Chaos,” they’ve=0D=0Atoured Europe, the United States, Russia, Brazil, Japan, China, and=0D=0ASouth Korea, sharing stages with high-profile acts like Suicidal=0D=0ATendencies, Terror, Strife, Madball, and more. Their performances at=0D=0AWacken Open Air, Hellfest, Graspop Metal Meeting, With Full Force, and=0D=0AResurrection Fest worked to solidify Nasty as not just a small-venue=0D=0Aact but one with the swagger to decimate audiences on the biggest=0D=0Afestival platforms. Their recent winter foray across Europe with=0D=0ACabal, Frozen Soul, and Dying Fetus was a resounding success, exposing=0D=0ANasty’s broken-bottle anthems to new audiences.=0D=0A=0D=0AHeartbreak Criminals was written ad hoc throughout 2021 and 2022. The=0D=0Agroup met up at various times to break through the post-pandemic haze,=0D=0Ahashing out stormers like "Roses," “Reality Check,” and “Total=0D=0ADomination” with a ready-to-kill attitude. Videos for=0D=0A“Resurrection” and “Declaring War” have already introduced the=0D=0Afirestorm that is Heartbreak Criminals. To underpin Nasty’s visceral=0D=0Aheft, Matthi (vocals) explored the depths of heartbreak, the rawness=0D=0Aof betrayal, and a thing he calls “real talk.” There’s no=0D=0Alyrical holds barred in “911,” “Nobody Cares,” and the title=0D=0Atrack. Whereas most bands are about the monolog, Nasty only cares=0D=0Aabout delivering results on Heartbreak Criminals.=0D=0A=0D=0ANasty recruited Andy Posdziech (Caliban, Any Given Day) yet again to=0D=0Amanage Heartbreak Criminals' controls. The Gelsenkirchen native holed=0D=0Aup with Nasty at Bestes Studio for over nine months. The goal: make=0D=0ANasty "harder." That's precisely what Posdziech did, grinding=0D=0Adevastating 13 tracks out of the group. The powerful effect of=0D=0A“Resurrection,” “Don’t Play with Fire,” and “Kiss from a=0D=0ARose” was further enhanced by mix/master maven Marvin Kinkel=0D=0A(Beginning, I Am the Poison). The capper to Heartbreak Criminals is=0D=0Athe vivid cover art by illustrator/tattoo artist Marcel Kristensen.=0D=0AWhere Heartbreak Criminals takes Nasty isn't up to fate—they're not=0D=0Aabout pie-in-the-sky concepts. Instead, they hit the streets and put=0D=0Ain the work. Just as the group powered through sour times before, with=0D=0AHeartbreak Criminals Nasty are gonna come out on top.=0D=0A
URL;VALUE=URI:https://hamburgwhl.infomaxnet.de/whl-kalender/e-nasty?eventDateId=30332612&widgetToken=J2c3z9UfufA.&
CLASS:PUBLIC
DTSTART:20261109T190000
DTSTAMP:20261102T055216
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