DANCE WRITING QUARTERLY

DANCE WRITING QUARTERLY



    If the notes that emerge over the course of a project represent, so to speak, its essence, then it should be possible to extract from them a source code for a new text about the project. If fiction is the articulation of a possible future, present, or past, then it can serve as a gateway to an alternative perspective on the events. Together, these two elements will serve as the foundation in this issue of Dance Writing Quarterly for writing about one’s own projects, those one has witnessed, or those one has imagined.

     

    For professional dance practitioners | Free to participate

    All languages and scripts are welcome; communication in German and English

    Registration by June 3 at: tanzplan2@kampnagel.de

     

     

     

     

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