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UID:6ae7b582b0c18
LOCATION:Johannes-Brahms-Platz , 20355 Hamburg
SUMMARY;ENCODING=QUOTED-PRINTABLE:Opus13
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:»Papa Haydn«? Of course, »yes« – but an even louder »NO!«=0D=0AThere is absolutely nothing dusty or old-fashioned about Haydn’s=0D=0Amusic, despite the image that still clings to him. Few composers have=0D=0Awoven humour into their music so frequently, whether subtly concealed=0D=0Aor openly displayed. =0D=0A=0D=0AWritten in 1799, String Quartet Op. 77 No. 1 is one of Haydn’s last=0D=0Acompleted quartets, the culmination of a long creative journey during=0D=0Awhich he decisively shaped the string quartet as a genre – hence his=0D=0Atitle, the »father of the string quartet«. Here Haydn is at the=0D=0Aheight of his powers, combining clarity, elegance and wit with=0D=0Aimagination and subtle sophistication. Any kind of compositional=0D=0Afrippery is nowhere to be found.=0D=0A=0D=0APERFORMERS=0D=0A=0D=0AOPUS13 string quartet=0D=0A=0D=0ASONOKO MIRIAM WELDE violin=0D=0A=0D=0AEDVARD ERDAL violin=0D=0A=0D=0AALBIN UUSIJÄRVI viola=0D=0A=0D=0ADANIEL THORELL violoncello=0D=0A=0D=0APROGRAM=0D=0A=0D=0AJOSEPH HAYDN=0D=0AString Quartet in G major, Op. 77/1 »Komplimentierquartett«=0D=0A=0D=0ABÉLA BARTÓK=0D=0AStreichquartett Nr. 3 Sz 85=0D=0A=0D=0A- Interval -=0D=0A=0D=0AFRANZ SCHUBERT=0D=0AString Quartet in D minor, D 810 »Death and the Maiden«=0D=0A
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CLASS:PUBLIC
DTSTART:20261106T200000
DTSTAMP:20261101T225618
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