NDR Elbphilharmonie Orchester / Paavo Järvi, © Kaupo Kikkas

NDR Elbphilharmonie Orchestra / NDR Vokalensemble / Paavo Järvi

NDR Elbphilharmonie Orchestra / NDR Vokalensemble / Paavo Järvi



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»Schumann’s music opens up a whole world of new musical forms for us, touching strings that his great predecessors have not yet touched.« This is how none other than Piotr Tchaikovsky enthused about his German colleague. In fact, Schumann – alongside Mozart and Mendelssohn – was a great role model for the creator of ‘Pathétique’, »Swan Lake« and co. In the music of the older Romantic composer, Tchaikovsky found »the echo of mysterious processes of our soul life that move the heart of today’s man.« So there are plenty of reasons to juxtapose selected works by the two »brothers in spirit«. In the Elbphilharmonie, the NDR Vokalensemble under Kaspars Putniņš, currently chief conductor of the Swedish and Latvian Radio Choirs, and the NDR Elbphilharmonie Orchestra under star conductor Paavo Järvi will explore this affinity.

First, the NDR Vokalensemble dedicates itself to some of Schumann’s choral works, in which the entire sound palette of a vocal ensemble is explored - from female voices to male choir to mixed choir.As Schumann said so beautifully: »The best way to develop your own melodic sense is always to write a lot for singing, for an independent choir.« And he did! And set poems by Johann Wolfgang von Goethe, Friedrich Rückert and Eduard Mörike, among others, to music. Art could hardly be more »romantic« – culminating in the famous Eichendorff setting »Mondnacht«, which Putniņš and the NDR Vokalensemble present in an arrangement for choir.



After the interval, Paavo Järvi and the NDR Elbphilharmonie Orchester will then perform a surprisingly rarely heard work for full orchestra: Piotr Tchaikovsky’s Third Symphony – the only one in his oeuvre to be in a major key and have five instead of four movements. The comparison with Schumann is therefore particularly obvious in this work, as the Third by »the most important symphonist of the German school since Beethoven« (Tchaikovsky) is also optimistic and has a loose, five-movement sequence. Instead of the misleading nickname »Polish« – because of the polonaise in the finale – Tchaikovsky’s symphony should actually be called »Schumann’s«!

PERFORMERS

NDR Elbphilharmonie Orchester orchestra

NDR Vokalensemble choir

Kaspars Putniņš choir director

Paavo Järvi conductor

PROGRAM

Robert Schumann
Vier doppelchörige Gesänge, Op. 141

Robert Schumann
Die Kapelle

Robert Schumann
Die Lotosblume

Robert Schumann
Vier Gesänge, Op. 59

Robert Schumann
Mondnacht

- Interval -

Piotr I. Tschaikowsky
Symphony No. 3 in D major, Op. 28 »Polish«

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