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TZID:Europe/Berlin
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X-LIC-LOCATION:Europe/Berlin
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UID:6a915f9865451
LOCATION:Spieltordamm 5, 19055 Schwerin
SUMMARY;ENCODING=QUOTED-PRINTABLE:Paul Goesch & Matthias Noggler
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:The Kunstverein in Schwerin is presenting a two-artist exhibition=0D=0Afeaturing Paul Goesch and Matthias Noggler=0D=0A=0D=0ADE=0D=0A=0D=0AThe Art Association for Mecklenburg-Vorpommern and Schwerin is pleased=0D=0Ato present a two-artist exhibition that brings together the work of=0D=0ASchwerin-born artist and architect Paul Goesch (1885–1940) with=0D=0Acontemporary paintings by Matthias Noggler (*1990). The exhibition=0D=0Afocuses on the shared interest of both artists in questions of space,=0D=0Aimage production, and the representation of social structures.=0D=0A=0D=0APaul Goesch ranks among the significant—yet=0D=0Along-overlooked—figures of the early 20th-century artistic=0D=0Aavant-garde. His work exemplifies a practice in which architectural=0D=0Autopia, aesthetic vision, and subjective experiences of the limits are=0D=0Auniquely intertwined. Goesch’s designs and pictorial spaces should=0D=0Abe understood less as concrete architectural proposals and more as=0D=0Aintegrative conceptual models for alternative forms of community,=0D=0Aperception, and both built and imagined space. The exhibition at the=0D=0AKunstverein is the first presentation of his work in his hometown of=0D=0ASchwerin and thus honors an artist whose extraordinary body of work=0D=0Ahas only in recent years begun to receive increasing recognition in=0D=0Aart history.=0D=0A=0D=0AMatthias Nogglers’s painterly practice also engages with the=0D=0Arepresentation of space as a social and symbolic construct. Drawing on=0D=0Aarchitecture, interiors, and everyday situations, he develops=0D=0Apainterly pictorial spaces in which social orders, institutional=0D=0Astructures, and forms of interpersonal relationships are inscribed. In=0D=0Adoing so, he draws on motifs and pictorial traditions from the history=0D=0Aof architecture, modernism, and documentary visual culture—including=0D=0Aworks by Paul Goesch—and translates them into a precise, minimalist=0D=0Avisual language. Through formal construction, shifts in perspective,=0D=0Aand a two-dimensional use of color, pictorial spaces emerge that=0D=0Aappear both concrete and psychologically charged.=0D=0A=0D=0ARather than offering a biographical comparison, the exhibition aims to=0D=0Ainitiate a visual dialogue between Goesch’s architectural and visual=0D=0Aconcepts and Nogglers’ contemporary paintings. Space appears here as=0D=0Afar more than a mere backdrop: both artists conceive of it as a=0D=0Avehicle for social, psychological, and conceptual meanings. Between=0D=0Aarchitectural vision and painterly construction, different strategies=0D=0Aof spatial creation, image production, and social reflection=0D=0Ainterrelate, revealing the enduring relevance and connection between=0D=0Athe two positions.=0D=0A=0D=0AEN=0D=0A=0D=0AThe Kunstverein für Mecklenburg-Vorpommern in Schwerin is pleased to=0D=0Apresent a duo exhibition bringing together the work of Schwerin-born=0D=0Aartist and architect Paul Goesch (1885–1940) with contemporary=0D=0Apaintings by Matthias Noggler (*1990). At its core is the artists’=0D=0Ashared engagement with questions of space, image-making, and the=0D=0Arepresentation of social structures.=0D=0A=0D=0APaul Goesch is regarded as one of the significant—yet=0D=0Along-overlooked—figures of the artistic avant-garde of the early=0D=0Atwentieth century. His work exemplifies a practice in which=0D=0Aarchitectural utopia, aesthetic vision, and subjective experience at=0D=0Athe limits of perception are uniquely intertwined. Goesch’s designs=0D=0Aand pictorial spaces are less to be understood as concrete=0D=0Aarchitectural proposals than as speculative models for alternative=0D=0Aforms of community, perception, and both built and imagined space. The=0D=0Aexhibition at the Kunstverein marks the first presentation of his work=0D=0Ain his hometown of Schwerin, paying tribute to an artist whose=0D=0Aremarkable body of work has only recently begun to receive broader=0D=0Aart-historical recognition.=0D=0A=0D=0AMatthias Noggler’s painting practice likewise explores the=0D=0Arepresentation of space as a social and symbolic construct. Drawing on=0D=0Aarchitecture, interiors, and everyday situations, he develops=0D=0Apictorial spaces in which social orders, institutional structures, and=0D=0Aforms of human interaction are embedded. His paintings engage with=0D=0Amotifs and visual traditions from architectural history, modernism,=0D=0Aand documentary imagery—including works by Paul Goesch—which he=0D=0Atranslates into a precise and reduced painterly language. Through=0D=0Aformal construction, shifts in perspective, and a restrained use of=0D=0Acolor, Noggler creates pictorial spaces that are at once concrete and=0D=0Apsychologically charged.=0D=0A=0D=0ARather than offering a biographical interpretation, the exhibition=0D=0Aestablishes a painterly dialogue between Goesch’s architectural and=0D=0Apictorial concepts and Noggler’s contemporary paintings. For both=0D=0Aartists, space functions not merely as a setting but as a framework=0D=0Athrough which social, psychological, and conceptual structures are=0D=0Aproduced and negotiated. By bringing different strategies of spatial=0D=0Aconstruction, image-making, and social reflection into dialogue, the=0D=0Aexhibition reveals both the enduring relevance of Goesch’s work and=0D=0Aits resonance within Noggler’s contemporary practice.=0D=0A=0D=0ACurated by:=0D=0A=0D=0AHendrike Nagel=0D=0A=0D=0AEvents:=0D=0A=0D=0AOpening:=0D=0A=0D=0AAugust 8, 2026, 3:00 p.m.=0D=0A=0D=0ADialogical Curator's Tour:=0D=0A=0D=0AAugust 27, 2026, 5:00 PM=0D=0A=0D=0ASeptember 17, 2026, 5:00 PM=0D=0A=0D=0AClosing:=0D=0A=0D=0AOctober 11, 2026, 3:00 PM=0D=0A
URL;VALUE=URI:https://hamburgwhl.infomaxnet.de/standard_widget_en/en/e-paul-goesch-matthias-noggler-1?eventDateId=30450697&widgetToken=22vcqFKw4GE.&
CLASS:PUBLIC
DTSTART:20260902T150000
DTSTAMP:20260828T121448
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