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TZID:Europe/Berlin
TZURL:http://tzurl.org/zoneinfo-outlook/Europe/Berlin
X-LIC-LOCATION:Europe/Berlin
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UID:69debdd2951a7
LOCATION:Johannes-Brahms-Platz , 20355 Hamburg
SUMMARY;ENCODING=QUOTED-PRINTABLE:Hamburger Orchestergemeinschaft / Carlotta Nordmann / Wolf Tobias=0D=0AMaximilian Müller
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:The Hamburg Orchestra Association invites you to experience a broad=0D=0Amusical spectrum from the early 19th century at its concert matinee.=0D=0ALudwig van Beethoven’s excerpts from the ballet music »The=0D=0ACreatures of Prometheus« open the program with energetic spirit and=0D=0Aenlightened pathos. The music celebrates creative humanity while=0D=0Aimpressively highlighting Beethoven’s dramatic signature and=0D=0Avisionary creative drive. The centerpiece of the morning is Max=0D=0ABruch’s First Violin Concerto in G minor, one of the most beloved=0D=0Aworks of Romantic concert literature. Its expansive, song-like=0D=0Amelodies and passionate virtuosity make this work an emotional=0D=0Ahighlight of great expressiveness and inner intensity.=0D=0A=0D=0AThe soloist is Carlotta Nordmann, who is already familiar to the=0D=0Aaudience of the Hamburg Orchestra Association from previous concerts=0D=0Aas concertmaster. Born in Frankfurt am Main in 1999 and raised in=0D=0AFrance, she received her first violin lessons there before continuing=0D=0Aher musical education after moving to Hamburg. As a soloist, Carlotta=0D=0ANordmann has performed with various orchestras in Germany and abroad,=0D=0Aincluding appearances in Italy, Hungary, and China, as well as at the=0D=0AElbphilharmonie Hamburg. She was concertmaster of the Hamburg State=0D=0AYouth Orchestra for many years and is currently concertmaster of the=0D=0AHamburg Youth Chamber Orchestra. She has also performed with the NDR=0D=0AYouth Symphony Orchestra, the Young North German Philharmonic, the=0D=0AHamburg Camerata, and the New Philharmonic Hamburg, among others.=0D=0A=0D=0AThe concert morning concludes with Felix Mendelssohn Bartholdy’s=0D=0ASymphony No. 5, »Reformation«, a work of monumental ambition and=0D=0Aspiritual coherence. Here, Mendelssohn combines Baroque formal=0D=0Aelements with Romantic musical language to create a symphony of=0D=0Apowerful architectural clarity and solemn effect.=0D=0A=0D=0AThis morning concert is performed by the Hamburg Orchestra=0D=0AAssociation, one of Hamburg’s oldest amateur orchestras. Founded in=0D=0A1904, the ensemble has been dedicated to the cultivation of the great=0D=0Asymphonic repertoire from the Classical to the Romantic periods for=0D=0Aover 120 years and is an integral part of Hamburg’s musical life=0D=0Awith its artistic commitment.=0D=0A=0D=0APERFORMERS=0D=0A=0D=0AHAMBURGER ORCHESTERGEMEINSCHAFT orchestra=0D=0A=0D=0ACARLOTTA NORDMANN violin=0D=0A=0D=0AWOLF TOBIAS MÜLLER conductor=0D=0A=0D=0APROGRAM=0D=0A=0D=0ALUDWIG VAN BEETHOVEN=0D=0Aexcerpts from Geschöpfe des Prometheus op. 43=0D=0A=0D=0AMAX BRUCH=0D=0AConcerto for Violin and Orchestra No. 1 in G minor, Op. 26=0D=0A=0D=0A- Interval -=0D=0A=0D=0AFELIX MENDELSSOHN BARTHOLDY=0D=0ASinfonie Nr. 5 D-Dur op. 107 »Reformationssinfonie«=0D=0A
URL;VALUE=URI:https://hamburgwhl.infomaxnet.de/standard_widget_en/en/e-hamburger-orchestergemeinschaft-carlotta-nordmann-wolf-tobias-maximilian-mueller?eventDateId=29960911&widgetToken=22vcqFKw4GE.&
CLASS:PUBLIC
DTSTART:20260419T110000
DTSTAMP:20260415T002106
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